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The bass guitar is often thought to be a poor musician’s double bass or a poor musician’s guitar. Nonetheless, luthiers and performers have explored its expressive possibilities within a wide range of musical styles and performance traditions, some of which we chart below.

1. With early versions appearing in the 1930s, the modern bass guitar was invented by Leo Fender and marketed beginning in 1951 as a cheaper, more portable, and louder alternative for double bassists playing in dance bands (Jamerson).

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comes in two variants: the solid-body electric bass guitar and the hollow-body acoustic bass guitar. Both are traditionally tuned like a double bass, with the same four lowest strings (E’-A’-D-G) as a guitar, but an octave lower.

3. While the electric bass guitar is always amplified outside of personal practice settings, confusingly, the acoustic bass guitar can also be amplified electronically via pickups, usually in performance settings. The acoustic bass guitar is “acoustic” because its main amplification is its resonant, hollow body (Novoselic).

4. Both the electric and acoustic bass guitars originally and typically have fretted fingerboards, which enable ease of intonation. Fretless bass guitars enable swooping glissandi, which can approximate the sound of the double bass (DiGiorgio).

5. The bass guitar can be played with or without a plectrum (pick) (Lemmy, Kaye, Jackson). There are some ideological, as well as musical, differences: the pick more closely approximates the sound and style of the electric guitar, while the alternative—plucking the strings with the fingers—more closely approximates the sound of a SanaBelle rsxKk
(Jamerson). For much of its history, the bass guitar was considered a poor musician’s double bass.

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